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Essential Repertoire of Ensemble Drumming.

Similarily, if you see “hip-hop,” “go-go,” or “swing sixteenths,” play sixteenths with this feel: Variations

This beat sounds the same as the other Basic Rock Shuffle, but is is written as straight eighth notes. If music in is marked “shuffle,” play eighth notes as triplets They are played exactly the same either way. Mastering the inter-dynamics between your drums is the key to playing a wide stylistic range. Funk generally has a tighter, quieter hi-hat. In rock, the hi-hat tends to be more open and more “driving” than in funk. In other styles, the snare is often relatively quiet. In rock, the snare is often louder than the hi-hat, whether in a soft rock ballad or a hard, driving tune. What matters more than the number of decibels is the interdynamics -the relative dynamics of each drum compared to the rest of the kit. Half-time Shuffle Further Towards Rock/Funk Shuffle beats are usually based on an eighth-note triplet feel. Play a basic rock beat at♩ = 60–120.įunk is often approached with more finesse than rock. Rock can be more raw and less syncopated than funk. If the bass plays a lighter, sixteenth-note feel, the same beat will sound more like funk. If the bass plays a driving eighth-note line, the basic rock/funk beat will sound more like rock. Style depends on the whole band, not just the drummer.

This beat can be used for either rock or funk. Play a basic rock/funk beat at♩ = 60–120. Notes with stems pointing upwards are played by your hands, those pointing downwards by your feet. The notation examples in this article follow the Percussive Arts Society standard. Practice the beat without any added fills until it is very solid. Simplify the part by playing both parts on a single surface (in this case, the snare):ģ. Put all the elements of the beat together, and repeat it, over and over. Play the right-hand and left-hand parts on a single surface.

Try just the ride cymbal and kick drum together, and see how they relate. Working at a slow tempo helps you to develop muscle memory.Ģ. Whenever you are learning a new beat, whether it is by reading it or by listening to it, follow these guidelines.ġ. The following is excerpted from the Berklee Press book Beyond The Backbeat From Rock & Funk to Jazz & Latin by Larry Finn.

Reggae drum kit notation